British-born author Daniel Tammet corresponded with poet Les Murray, who died on April 29 aged 80, and translated his poems into French. In his 2017 book Every Word is a Bird We Teach to Sing, Tammet describes how Murray’s inspiring example helped him come to terms with being autistic. In this edited extract he recounts how he and Murray came to share a stage in Paris in 2015.
Daniel Tammet
The Australian poet Les Murray makes life hard for those who wish to describe him. It isn't only his work, some 30 books over 50 years. It is the man. In PR terms, Murray seems the antipode of Updikean dapperness, cold Coetzee intensity, Zadie Smith's glamour. His author photographs, which appear to be snapshots, can best be described as ordinary. The bald man's hat, the double chin, the plain T-shirt. A photograph, accompanying his New Selected Poems, shows him at a kitchen table, grandfatherly in his glasses. The artlessness is that of an autodidact. Murray has always written as his own man. Fashions, schools, even the occasional dictionary definition, he serenely flouts. To read him is to know him.
